In Altered Reality, Craig Alan plays with perception and scale to create a work that feels both familiar and dreamlike. From a distance, the piece suggests a striking abstract composition, but as you look closer, countless tiny figures emerge, each adding their own story to the scene. Alan’s use of negative space and precise placement turns everyday movement into a grand visual illusion—one that shifts between order and spontaneity. The result is a mesmerizing balance of concept and play, where altered reality becomes a lens for seeing the beauty of human connection in unexpected ways.